Tag: 32

  • 32 Thaats (Scales) Flipped – Part II

    Rajtyagi

    In the last post, we found all 32 Thaats in a certain process. It went like this:

    1. Kalian is the first Thaat,
    2. Then we start to lower notes from the top systematically.
    3. Every time we lowered one note, then we flipped the Thaat, to get the counterpart Thaat.
    4. So we got 16 Thaats directly from Kalian, and got the other 16 by flipping these Thaats.

    Here is a table explaining the same process. This may help to make better sense of the Flash animation. I am including the interactive animation again in this post. Read one line and follow the Thaats on the interactive animation below:

    Kalian: S, R, G, M’, P,D,N (or all Tivar notes)

    Lowered
    (Komal)
    Notes
    Resulted Thaat
    Flip

    New Komals

    Resulted Thaat
    n
    Vachaspati
    arrow
    r,g,m,d,
    Pilu or Dhenuka
    d
    Latangi
    arrow
    r,g,m,n,
    Natakpirya
    d,n
    Rishabhpirya
    arrow
    r,g,m,
    Kokilpirya
    g
    Dharamvati
    arrow
    r,m,d,n,
    Bakulabharan
    g,n
    Hemvati
    arrow
    r,m,d,
    Malavgaud or Bhairav
    g,d
    SahinderMadhyam
    arrow
    r,m,n,
    Chakarvak or Ahirbhairav
    g,d,n
    Shanmukhpirya
    arrow
    r,m
    Suryakant – AnandBhairav
    r
    Gamanpirya or
    Marva
    arrow
    g,m,d,n,
    Asavari
    r,n
    Rampirya
    arrow
    g,m,d,
    Girvani
    r,d
    Kamvardhani or
    Poorvi
    arrow
    g,m,n,
    Kafi or Kharharpirya
    r,d,n
    Namnarayni
    arrow
    g,m
    Gauri Manohari
    g,r
    Savanangi
    arrow
    m,d,n,
    Charukeshi
    r,g,n
    Shadvidhmargani
    arrow
    m,d
    Sarsangi
    r,g,d
    Shubhpantuvarali
    or Todi
    arrow
    m,n
    Harkanbhoji or Khamaj
    r,g,d,n
    Bhavpirya
    arrow
    m
    Bilaval or Shankrabharan
    r,g,m,d,n
    Bhairvi
    arrow
    none
    Kalian

    [iframe width=”100%” height=”300″ src=”https://www.sangtar.com/canvas/170202-flip-thaats_Canvas.html”]
    sangtar.com > Music Theory > Advanced Theory