A great rendition of this serious Rāga by Pandit Chhanu Lal Mishra:
Darbari Kahnada
Thaat: Asavari
Jati: Sampooran-Chhadav (7/6)
Vadi: R
Samvadi: P
Vikrit: G,D,N Komal
Virjit: D in Avroh
Aroh: n. S R g R S, m P, d n S*
Avroh: S* d n P, m p, g, m R S
Time: Midnight
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[youtube http://www.youtube.com/watch?v=lG7LmDnHIWc&fs=1&hl=en_US&rel=0&color1=0x3a3a3a&color2=0x999999]
Khat
Thaat: Asavari
Jati: Sampooran-Sampooran (7/7)
Vadi: D
Samvadi: G
Vikrit: G & D komal and Both Nishads
Virjit: none
Aroh: S R g m, P, n d N S*
Avroh: S* n d P m g R S
Time: Day, Second Pehar
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You may also use the search feature on this blog to find a Raag.
sangtar.com > Music Theory > Raagkosh
[youtube http://www.youtube.com/watch?v=b0e7y2UTANI&hl=en&fs=1&rel=0]
Desi
Thaat: Asavari
Jati: Audav-Sampooran (5/7)
Vadi: P
Samvadi: R
Vikrit: G, D komal, both Nishads
Virjit: G,D / none
Aroh: S R m P N S*
Avroh: S* n d P m g R S
Time:Day Second Pehar
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sangtar.com > Music Theory > Raagkosh
Asavari Todi
Thaat: Todi
Jati: Chhadav-Audav (6/5)
Vadi: D
Samvadi: G
Vikrit: R,G,D,N komal
Virjit: G / P,N
Aroh: S r m P d n S*
Avroh: S* d m P g r S
Time: Night Second Pehar
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sangtar.com > Music Theory > Raagkosh
Asavari
Thaat: Asavari
Jati: Audav-Sampooran (5/7)
Virjit Notes: ‘G’ & ‘N’ in Aroh
Vadi: Dha
Samvadi: Ga
Vikrat Notes: G, D, N komal
Time: Day, Second Pehar
Aroh: S R m P d S*
Avroh: S* n d P m g R S
Click here to pick a Thaat (parent Scale)
Click here to pick a Jati (note count)
Click here to see the entire list alphabetically
You may also use the search feature on this blog to find a Raag.
Asavari Thaat uses the following notes:
S, R, g, m, P,d, n, S*
in other words “Tone, semitone, Tone, Tone, Semotone, Tone, Tone” is Asavari.
Click here to pick a Thaat (parent Scale)
Click here to pick a Jati (note count)
Click here to see the entire list alphabetically
You may also use the search feature on this blog to find a Raag.