Chandar-Nandan
Thaat:Kafi
Jati: Audav-Sampooran (5/7)
Vadi: M
Samvadi: S
Vikrit: D komal, G,N both
Virjit: R,P in aroh
Aroh: S g m d N S*
Avroh: R*n d P m G S g S
Time:Night Second Pehar
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[youtube http://www.youtube.com/watch?v=iwJ-HjQE5qA&hl=en&fs=1]
Bageshiri
Thaat: Kafi
Jati: Audav-Sampooran (5/7)
Virjit Notes: ‘R’ & ‘P’ in Aroh
Vadi: Ma
Samvadi: Sa
Vikrat Notes: ‘G’ & ‘N’ komal
Time: Midnight
Aroh: S m g, m D n S*
Avroh: S* n D m g m R S
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[youtube http://www.youtube.com/watch?v=BUaZ4Kc5cVU&hl=en&fs=1]
Bahar
Thaat: Kafi
Jati: Chhadav-Chhadav (6/6)
Virjit Notes: ‘R’ in Aroh, ‘D’ in Avroh
Vadi: Ma
Samvadi: Sa
Vikrat Notes: G komal, Both Nishads
Time: Midnight
Aroh: S g m, P g m, n D N S*
Avroh: S* n P, m P g m R S
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Barva
Thaat: Kafi
Jati: Chhadav-Sampooran (6/7)
Virjit Notes: ‘G’ in Aroh
Vadi: Re
Samvadi: Pa
Vikrat Notes: G komal, Both Nishads
Time: Day Second Pehr
Aroh: S R m P D N S*
Avroh: S* n D P, m P, g R g S
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Abhogi Kahnada
Thaat: Kafi
Jati: Audav-Audav (5/5)
Virjit Notes: ‘P’ & ‘N’ both ways
Vadi: Ma
Samvadi: Sa
Vikrat Notes: G komal
Time: Midnight
Aroh: S R g m D S*
Avroh: S* D m, g m R S
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Abhogi
Thaat: Kafi
Jati: Audav-Audav (5/5)
Virjit Notes: ‘P’ & ‘N’ both ways
Vadi: Ma
Samvadi: Sa
Vikrat Notes: G komal
Time: Morning
Aroh: S R g m D S*
Avroh: S* D m g R S
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Kafi Thaat is the following notes:
S, R, g, m, P,D, n, S*
in other words “Tone, semitone, Tone, Tone, Tone, Semitone, Tone” is Kafi.
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