[youtube http://www.youtube.com/watch?v=sW26Nxd23oE&hl=en&fs=1]
Bihag
Thaat: Bilaval
Jati: Audav-Sampooran (5/7)
Vadi: G
Samvadi: N
Vikrit: none
Virjit: R, D, in aroh
Aroh: S G, m P, N S*
Avroh: S*, N D P, m G, R S
Time: Night Second Pehar
Click here to pick a Thaat (parent Scale)
Click here to pick a Jati (note count)
Click here to see the entire list alphabetically
You may also use the search feature on this blog to find a Raag.
Sir, words are not enough to express my gratitude towards you, you made indian classical music very clear to every and all by your basic and advance theory about music, i have learnt a lot from your site, sir, I have some questions though, I heard pt jasraj singing raag bihag, there he used very nice phrasings, can we play this raag in flute ? If yes then how to use phrasings? merely keynotes, aroh and avroh is not sufficient i think phrasing is more important. one more thing when pandit ji was singing he used koot taans in between does the koot taan have only the keynote of that perticular raaga ? or masters of musics use virjit suwars in that? Please help me