Todi – Thaat is the following notes: S,r,g,M’,P,d,N,S*
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Vachaspati – Thaat is the following notes: S,R,G,M’,P,D,n,S*
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Raags of Sampooran – Sampooran (7/7) Jati have 7 (all) notes in Aroh and Avroh (descending). This is the first of nine Jaties.
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Abhogi Kahnada
Thaat: Kafi
Jati: Audav-Audav (5/5)
Virjit Notes: ‘P’ & ‘N’ both ways
Vadi: Ma
Samvadi: Sa
Vikrat Notes: G komal
Time: Midnight
Aroh: S R g m D S*
Avroh: S* D m, g m R S
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Abhogi
Thaat: Kafi
Jati: Audav-Audav (5/5)
Virjit Notes: ‘P’ & ‘N’ both ways
Vadi: Ma
Samvadi: Sa
Vikrat Notes: G komal
Time: Morning
Aroh: S R g m D S*
Avroh: S* D m g R S
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Kafi Thaat is the following notes:
S, R, g, m, P,D, n, S*
in other words “Tone, semitone, Tone, Tone, Tone, Semitone, Tone” is Kafi.
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Raags of Audav-Audav (5/5) Jati have 5 notes in Aroh and Avroh (descending). This is the ninth of the nine Jaties.
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Adana
Thaat: Asavari
Jati: Chhadav-Chhadav (6/6)
Varjit Notes: ‘G’ in Aroh and ‘D’ in Avroh
Vadi: Sa
Samvadi: Pa
Vikrat Notes: G, D komal and both Nishads
Time: Night Third Pehar
Aroh: S R m P d N S*
Avroh: S* d n P m P, g m R S
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Raags of Chhadav-Chhadav (6/6) Jati have 6 notes in Aroh (ascending) and 6 notes in Avroh (descending). This is the fifth of nine Jaties.
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Raags of Audav-Sampooran (5/7) Jati have 5 notes in Aroh (ascending) and 7 notes in Avroh (descending). This is the seventh of nine Jaties.
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Read more about Jaties here.You may also use the search feature on this blog to find a Raag.