Jati: Chhadav – Chhadav (6-6)

Raags of Chhadav-Chhadav (6/6) Jati have 6 notes in Aroh (ascending) and 6 notes in Avroh (descending). This is the fifth of nine Jaties.

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Jati: Audav – Sampooran (5-7)

Raags of Audav-Sampooran (5/7) Jati have 5 notes in Aroh (ascending) and 7 notes in Avroh (descending). This is the seventh of nine Jaties.

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Thaat: Asavari

raagkosh-0-asavari

Asavari Thaat uses the following notes:

S, R, g, m, P,d, n, S*

in other words “Tone, semitone, Tone, Tone, Semotone, Tone, Tone” is Asavari.

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Raag Abheri

Raag name: Abheri
Thaat: Asavari
Jati: Audav -Sampooran (5/7)
Virjit Notes: ‘R’ & ‘D’ in Aroh
Vadi: Ma
Samvadi: Ni
Vikrat Notes: R, G, D,N komal
Time: Morning
Aroh: S g m P n S*
Avroh: S* n d P m g r S

 

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Raagkosh – Alphabetical list

Please pick a letter:

A, B, C, D, E, F,
G, H, I , J, K, L,
M, N, O, P, Q, R,
S, T, U, V, W, X, Y, Z

A

B

^ Top

C

D

^ Top

E

F

 

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Raag Bilaval

Raag Bilaval

Bilaval has the luster
of the blue lotus.
Arranging jewels
upon her body,
she makes secret signs
to her lover.
How can she forget
for one moment,
her chosen deity,
the God of Love?
Sangeet Darpan

Raag Bilaval is a Sampooran-sampooran Raag of Bilaval Thaat. All notes in this Raag are natural. Its Vadi note is Dhaivat so it is a morning Raag. In practice it sometimes sounds just like Kalyaan (Yaman) therefore, it is also known as morning’s Kalyaan.

Nishad (ni) and Gandhar (Ga) are Vakar (played by jumping one note).
There is another version of this Raag, which is called Alyhia Bilaval. Alyhia Bilaval is a chchadav-sampooran Raag (6-7). Madhyam is omitted in ascending. In addition, Alyhia Bilaval has both Nishads (Ni natural and komal).

Thaat: Bilaval
Jati: Sampooran-sampooran (7-7)
Vadi Svara: Dhaivat (Dha)
Samvadi Svara: Gandhar (Ga)
Vikrat Svaras: None (Nishad in Alyhia)
Virjit Svaras: None
Time: Morning

Bilaval “Aroh- Avroh”
Lakshan Geet Raag Bilaval:

Raag Bilaval Lakshan Geet
Here is the same composition in Staff Notation:
Raag Bilaval Lakshan Geet- Staff

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Raag Yaman

Pilgrims going to Mecca' by Leon Belly, French. Oil, 1861Yaman is a beautiful Raag. It is a simple Raag, thus it is easy to learn and hard to break. It can be accepted as the asharya (first) Raag of Kaliaan thaat, as it is a Sampooran/Sampooran Raag. Yaman is found in two versions. The second version is called Yaman Kaliaan. Although Yaman Kalian should have some use of Komal Madhyam (Natural Fourth).

Thaat: Kalian
Jati: Sampooran-Sampooran (7-7)
Vadi Svara: Gandhar (Ga)
Samvadi Svara: Nishad (Ni)
Vikrat Svaras: Ma Tivar (Fourth Sharp)
Verjit Svaras: None
Time: Evening

Yaman-Aroh/avroh
Composition:

Yaman-lakshn Geet Aik Taal

Here is the same Composition in Staff Notation

Raag Yaman Lakshan Geet Staff Notation

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